Xem mã nguồn của Hồi hộp

[[Tập tin:Suspense_(1919)_-_2.jpg|nhỏ|Một cảnh trong phim ''Suspense'' năm 1919 của Hoa Kỳ]]
'''Hồi hộp''' là trạng thái tinh thần [[Sự không chắc chắn|không chắc chắn]], [[lo âu]], không quyết đoán hoặc [[nghi ngờ]].<ref>{{Harvard citation text|Webster|1969}}</ref> Trong một [[Kịch|tác phẩm có tính chất kịch]], hồi hộp là việc dự đoán về [[wiktionary:outcome|kết quả]] của một âm mưu,  hoặc tìm ra giải pháp cho một điều gì đó không chắc chắn, hay có thể là [[Giải đố|câu đố]] hoặc điều bí ẩn nào đó,<ref>{{Harvard citation text|Beckson|Ganz|1989}}</ref><ref>{{Harvard citation text|Carey|Snodgrass|1999}}</ref><ref name="ReferenceA">{{Harvard citation text|Harmon|2012}}</ref><ref>{{Harvard citation text|Henry|1995}}</ref> đặc biệt là khi nó tác động đến nhân vật mà người ta thương cảm.<ref name="ReferenceA"/> Tuy nhiên, hồi hộp không chỉ xuất hiện duy nhất trong tiểu thuyết.

== Tham khảo ==
===Chú thích===
{{tham khảo}}
===Nguồn===
* {{ citation | last1 = Baroni | first1 = R. | title = La tension narrative. Suspense, curiosité, surprise | location = Paris | publisher = [[Éditions du Seuil]] | year = 2007 }}
* {{ citation | last1 = Beckson | first1 = Karl | last2 = Ganz | first2 = Arthur | title = Literary Terms: A Dictionary | edition = 3rd | location = New York | publisher = [[Noonday Press]] | year = 1989 | lccn = 88-34368 }}
* {{ cite book | article = The Nature of Narrative Suspense and the Problem of Rereading | date = 1996 | author1 = W. Brewer | title = Suspense: Conceptualizations, theoretical analyses, and empirical explorations | location = Mahwah | publisher = [[Lawrence Erlbaum Associates]] | editor1 = Vorderer, P. | editor2 = H. J. Wulff | editor3 = M. Friedrichsen }}
* {{citation | last1 = Carey | first1 = Gary | last2 = Snodgrass | first2 = Mary Ellen | title = A Multicultural Dictionary of Literary Terms | location = Jefferson | publisher = [[McFarland & Company]] | year = 1999 | isbn = 0-7864-0552-X | url-access = registration | url = https://archive.org/details/multiculturaldic00care }}
* {{ cite journal | title = Suspense in the Absence of Uncertainty | date = 1989 | author1 = R. Gerrig | journal = [[Journal of Memory and Language]] | volume = 28 | issue = 6 | pages = 633–648 | doi = 10.1016/0749-596X(89)90001-6 }}
* {{ citation | last = Harmon | first = William | title = A Handbook to Literature | edition = 12th | location = Boston | publisher = [[Longman]] | date = 2012 | isbn = 978-0-205-02401-8 }}
* {{citation | last = Henry | first = Laurie | title = The Fiction Dictionary | location = Cincinnati | publisher = [[Story Press]] | date = 1995 | isbn = 1-884910-05-X | url-access = registration | url = https://archive.org/details/fictiondictionar00henr }}
* {{ citation | last1 = Walton | first1 = K. | title = Mimesis as Make-Believe | location = Cambridge | publisher = [[Harvard University Press]] | year = 1990 }}
* {{ citation | title = Webster's Seventh New Collegiate Dictionary | location = Springfield | publisher = [[G. & C. Merriam Company]] | date = 1969 | ref = {{harvid|Webster|1969}} }}
* {{ cite journal | title = The Paradox of Suspense | url = https://archive.org/details/sim_british-journal-of-aesthetics_1996-04_36_2/page/146 | date = 1996 | author1 = R. Yanal | journal = [[British Journal of Aesthetics]] | volume = 36 | issue = 2 | pages = 146–158 | doi = 10.1093/bjaesthetics/36.2.146 }}

== Xem thêm ==
* Baroni, R. (2009). ''L'oeuvre du temps. Poétique de la discordance narrative'', Paris: Seuil.
* Brooks, P. (1984). ''Reading for the Plot: Design and Intention in Narrative'', Cambridge: Harvard University Press.
* Grivel, C. (1973). ''Production de l'intérêt romanesque'', Paris & The Hague: Mouton.
* Kiebel, E.M. (2009). ''The Effect of Directed Forgetting on Completed and Interrupted Tasks''. Presented at the 2nd Annual Student-Faculty Research Celebration at Winona State University, Winona MN. See online [https://web.archive.org/web/20120425054533/http://course1.winona.edu/CFried/journal/Papers%202009/Liz%20formatted.pdf].
* McKinney, F. (1935). "Studies in the retention of interrupted learning activities", ''Journal of Comparative Psychology'', vol n° 19(2), p.&nbsp;265–296.
* Phelan, J. (1989). ''Reading People, Reading Plots: Character, Progression, and the Interpretation of Narrative'', Chicago, University of Chicago Press.
* Prieto-Pablos, J. (1998). "The Paradox of Suspense", ''Poetics'', n° 26, p.&nbsp;99–113.
* Ryan, M.-L. (1991), ''Possible Worlds, Artificial Intelligence, and Narrative Theory'', Bloomington: Indiana University Press.
* Schaper, E. (1968), "Aristotle's Catharsis and Aesthetic Pleasure", ''The Philosophical Quarterly'', vol. 18, n° 71, p.&nbsp;131–143.
* Sternberg, M. (1978), ''Expositional Modes and Temporal Ordering in Fiction'', Baltimore and London: Johns Hopkins University Press.
* Sternberg, M. (1992), "Telling in Time (II): Chronology, Teleology, Narrativity", ''Poetics Today'', n° 11, p.&nbsp;901–948.
* Sternberg, M. (2001), "How Narrativity Makes a Difference", ''Narrative'', n° 9, (2), p.&nbsp;115–122.
* Van Bergen, A. (1968) ''Task interruption''. Amsterdam: North-Holland Publishing Company.
* Vorderer, P., H. Wulff & M. Friedrichsen (eds) (1996). ''Suspense. Conceptualizations, Theoretical Analyses, and Empirical Explorations'', Mahwah: Lawrence Erlbaum Associates.
* Zeigarnik, B. (1927). Das Behalten erledigter und unerledigter Handlungen. Psychologische Forschung, 9, 1–85.
* Zeigarnik, B. (1967). On finished and unfinished tasks. In W. D. Ellis (Ed.), A sourcebook of Gestalt psychology, New York: Humanities press.

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